bu şarkı süper.(bence)

http://www.youtube.com/watch?v=bJ07Oa3SU8Q

bunuda bilmiyen yoktur heralde.

http://www.youtube.com/watch?v=Vrhgk8Fa_QE

Karl Jenkins - Adiemus

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Adiemus (pronounced /ædiˈeɪməs/) is the title of a series of albums by Welsh composer Karl Jenkins. It is also the title of the opening track on the first album in the series, Songs of Sanctuary. Concept Each Adiemus album is a collection of song-length pieces featuring harmonised vocal melody against an orchestral background. There are no lyrics as such: instead the vocalists sing syllables and 'words' invented by Jenkins. However, rather than creating musical interest from patterns of phonemes (as in scat singing, or in numerous classical and crossover compositions), the language of Adiemus is carefully stylised so as not to distract the listener's attention from the pitch and timbre of the voice;for example, syllables ending in consonants are rare. The core concept of Adiemus is that the voice should be allowed to function as nothing more than an instrument, an approach that has become something of a trend in recent choral writing (compare, for example Vangelis's score for the film 1492: Conquest of Paradise (1992)). The word Adiemus itself resembles a Latin word meaning 'We will draw near', though incorrectly formed; Jenkins claims to have been unaware of this.

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Adiemus: Songs of Sanctuary

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Released in 1995, Adiemus: Songs of Sanctuary is the first album by Welsh composer Karl Jenkins as part of the Adiemus project. This album quickly garnered critical acclaim as the title track "Adiemus" had been previously well received during its use in a Delta Air Lines television commercial and release on the album Pure Moods.

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Adiemus II: Cantata Mundi

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Released in 1997, Adiemus II: Cantata Mundi is the second album by Welsh composer Karl Jenkins as part of the Adiemus project. Building on the style established in Adiemus: Songs of Sanctuary, Jenkins broadens his musical approach to Cantata Mundi by including instrumentation and techniques from Eastern Europe, Arabia, and Asia. Compared to the earlier work, the orchestra is also expanded to include woodwinds and brass. The overall form of this album is a cantata of fourteen movements alternating between longer 'cantus' pieces and brief 'chorales'.

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Adiemus III: Dances of Time

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Released in 1998, Adiemus III: Dances of Time is the third album by Welsh composer Karl Jenkins as part of the Adiemus project. This album is a tribute to the interrelationship between music and dance throughout history. As such, most tracks are composed in a traditional style of dance, including meter. In addition to the multitracked vocals used in the previous Adiemus recordings, Jenkins introduces the Finnish Adiemus Singers to perform the chorus to Miriam Stockley's lead.

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Adiemus IV: The Eternal Knot

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Released in 2001, Adiemus IV: The Eternal Knot is the fourth album by Welsh composer Karl Jenkins as part of the Adiemus project. Inspired by Celtic history and mythology, this album served as the soundtrack to the S4C International documentary The Celts. In additional to rich string orchestrations and vocals borrowing from world musical styles common to Adiemus, Jenkins adds the accompaniment of ethnic instruments such as the Uilleann pipes.

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Adiemus V: Vocalise

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Released in 2003, Adiemus V: Vocalise is the last album by Welsh composer Karl Jenkins as part of the five-album Adiemus project. In contrast to Jenkins's past Adiemus compositions, several of the tracks in this album are arrangements or variations on existing classical works. Additionally, the lyrics for some tracks are borrowed from religious texts or even the title of the piece rather than the invented phonetic language used exclusively in the preceding Adiemus albums. Adiemus V: Vocalise features the broadest range in musical styles and instrumentation of the series.

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